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The exhibition was due to end on September 27 but it has been extended to October 11, originally with the hope that the annual Big Apple Harvest event at Much Marcle would go ahead over that weekend.  Increased coronavirus restrictions eventually put paid to that, despite the best efforts of the organisers.  It would have been a great way to round off the show – all the local cider and perry makers are open to visitors who can watch them pressing and making the cider.  Hellens would have been making their own perry from their ancient avenue of old perry pear trees and the tearoom would have been open for delicious cakes and tea. The exhibition would have been a very appropriate attraction, replacing the usual apple identification and tasting which usually happens in the Great Barn.

It is very disappointing for all concerned but in these troubled times we have come to expect plans to be changed and nothing is certain.

Meanwhile the exhibition is still attracting visitors and I am expecting a busy time this final week.  More anon.

 

5 October 2020

 

We hung the exhibition yesterday in the Great Barn at Hellens Manor, Much Marcle, Herefordshire.  It is part of this year’s Garden Festival, which has been re-imagined after its cancellation in June due to the coronavirus regulations.  Hanging was hard work, negotiating the old timbers and irregular spaces, but Angus Macdonald has over 30 years of experience of installing exhibitions with his company C’ART Art Transport so he was able to come up with excellent solutions.  We were helped by old friends Peter Arscott and John Burns.

 

I am sharing the barn with this fine grand piano which I have seen played by Christian Blackshaw at some wonderful concerts at Hellens Music Festival.  It looks faintly sculptural and enhances the ambience.  Sometimes a hen wanders in to see what is going on, adding to the blend of art in a bucolic setting.

 

 

There are two new paintings resulting from my residency in Romania in 2019.  Here is a study of Petrica, who looks after the grounds of the manor house at Valeni.  I would have liked to show all the Romanian works together as although the rest are sold I could have borrowed them back for this exhibition.  However, I decided against this idea for various reasons.  The others can be seen in previous posts on this website when they were shown at the Courtyard at Hereford in January/February 2020.

 

 

Small fruit and flower paintings to round off the show.  I will post further information and a price list in my next post.

 

25 August, 2020

 

I am preparing for a solo exhibition ‘Field and Orchard’ in the Great Barn at Hellens Manor, Much Marcle, near Ledbury,  Herefordshire in conjunction with their garden festival.  It will run from August 26 to September 27.  There is free entry to the gardens, grounds and exhibition with donations to St Michael’s Hospice and Back to the Wild. Opening hours are Wednesdays, Saturdays and Sundays 10 am to 6 pm.  See their website:  www.hellensmanor.com for further details.

I see this as a kind of coda to my exhibition Another Country at The Courtyard, Hereford, in January/February of this year.  Some of the works will have been seen there but others are new or were not hung at Hereford.  Because of lockdown I still have the Valeni works which are due to be taken to Romania at some point so this gives me a chance to show them again, along with two new paintings on the theme.

The Great Barn is a wonderful building although it will be challenging to hang the work amongst all the old timbers.

 

I will try to be there quite often and will give dates and times soon.  In any case Hellens is a lovely place to visit, set in beautiful Herefordshire countryside not far from the old market town of Ledbury.  Much Marcle has other attractions too – an interesting old church with an ancient yew tree and of course Westons Cider at the other end of the village.

More information to follow.

25 July 2020

 

 

The coronavirus lockdown this Spring has been a strange experience for us all.  One good thing from my point of view has been the peace and quiet which has given me time to spend long uninterrupted periods in the studio. Perhaps because it was a year ago in April that we were in Romania I felt there was some unfinished business to be addressed.  While we were there I did some drawings for a painting which I didn’t have time to do before the exhibition at The Courtyard at Hereford.  This is a painting in progress of the Valeni manor house, showing Petrica, the plum blossom and the two dogs.  Petrica lives in the village and is employed to look after the grounds and chop wood, the plum trees were in full bloom when we arrived and the two dogs were always around the place.

 

16 May, 2020

The River Lugg flowing across the A4103 as we approached Hereford on Monday, 17 February to take down the exhibition at The Courtyard.  The city centre was inundated by the River Wye that day but fortunately the arts centre was not affected.  My flood paintings seem more relevant now than they did when they were painted:  this one, Winter Flood, dates from 2009 and shows the Severn in flood at Worcester.

Here is the text of James Marsden’s speech at the opening of Another Country.  James is a well known cider and perry maker at Gregg’s Pit, Much Marcle, Herefordshire.  He is also a respected environmentalist with an impressive record in high governmental advisory positions including Head of Policy at Natural England, and currently chair of the Policy Forum at Brecon Beacons National Park.

I like the way he weaves together our shared memories of the landscapes featured in the exhibition with his own areas of interest.  Please click on the link below:

Another Country at The Courtyard

I am currently preparing for an exhibition in early 2020 at The Courtyard, Hereford’s Arts Centre.  It is titled ‘Another Country’ and runs from January 10 to February 15.

The nucleus of the show will be the paintings and drawings which I made following the residency in Romania in April 2019 and new works based on the countryside around the Malvern Hills.  Then the subject matter widens to include works exploring rural themes from the last decade.  The actual gallery at The Courtyard is quite small but I have been given access to a huge amount of wall space in the arts centre which will enable me to show large scale charcoal drawings and related paintings.

Further information and an online ‘taster’ catalogue which gives a flavour of the exhibition is available here:

Download Online Catalogue

29 November 2019

Over the last few months I have been working on the Romanian project (see previous posts).  This drawing shows Olga and Costica, a couple who live near the manor house in the village of Valeni in Moldavia, NE Romania.  We were taken to visit them by the local Orthodox priest and although verbal communication was limited they were very warm, friendly and gracious.  They have about 2 hectares of land and have a fully equipped carpenter’s workshop, cowshed, barns and a poultry yard. They keep a cow and calf, two pigs, rabbits, hens and a fierce looking black dog on a chain.  Costica is a skilled carpenter and Olga is a wonderful baker, producing amazing pastries and cakes from an outdoor bread oven.

They must be the last of a generation with the skills to be virtually self sufficient.  We understood that their two sons have left the village.  In the drawing I try to convey something of their cheerful self reliance.

September 11 2019

 

 

 

 

While I was on the Isle of Wight I taught a drawing class as part of the Quay Arts annual Summer School.  It took place in Jubilee Stores, along the quay at Newport Harbour overlooking the River Medina.  It was an enjoyable day with a group of committed students who produced some very good work.  We experimented with different media, working mainly from observation.  Here are some examples and a glimpse of the surroundings.

 

 

The exhibition in the Clayden Gallery at Quay Arts on the Isle of Wight ended on Saturday, 27 July.

Once again the combination of Molly’s pots and my paintings worked well.  We made no particular advance plans of what we would put together but themes, forms and colours emerged and complemented each other.  Molly’s new pots in dark greens and blues were seen against my new painting, Crows in the September Orchard, which is predominately green and blue.  My small paintings of apples, quinces and blossom set up a fruit and flower association with Molly’s cobalt wash dishes featuring quinces and lemons.  In 2017 there was a breezy maritime feel to the exhibition, this year it was more green and rural.  We still had our birds – the crows in the orchard and Molly’s guinea fowl tiles.

We look forward to continuing this occasional collaboration in the future.

 

31 July, 2019

 

 

A second exhibition with my sister, the potter Molly Attrill, opens in the Clayden Gallery at Quay Arts, Newport Harbour on Saturday 6 July and runs until 27 July.

We collaborated in April 2017 when we focussed on the small stretch of coastline on the Southern tip of the Isle of Wight where we grew up.  This time we have left ourselves free to explore our own preoccupations.  In Molly’s case, she is showing new pots in the traditions of earthenware slip and maiolica.  She has recently been included in an exhibition in Tokyo which traced the influence of Bernard Leach on contemporary potters.  My focus moves inland from my native Island to my present home in Malvern, Worcestershire.  Just over the Malvern Hills and across the border into Herefordshire we have 10 acres of land where we have planted an orchard of traditional local apples.  I am showing works describing this landscape.

Here is a new painting Crows in the September Orchard which will be shown for the first time in this exhibition.

 

3 July 2019